Why I Am Grateful for the Global Pandemic

Why I Am Grateful for the Global Pandemic

As the Thanksgiving season is upon us, it is time to consciously think about things we are grateful for.  Sure, we all go through the list of family, friends, a place to live, a job, food to eat, etc.  Now, before you jump down my neck and say, how can you be grateful for a global crisis that, according to Worldometer, has now affected over 250,000,000 people and has caused, along with other comorbidities, 5,000,000 plus deaths?”,  let me explain.

In a few short months, we will be two years into what started out as “two weeks to flatten the curve”.  Sometimes it is hard to wrap my head around the fact that two years have nearly passed and that I will have been living in Poland for two years and have received temporary residency.  My original plan, although I should probably say “my original thought” as I didn’t really have a solid plan, was to spend just over a year in Poland.

Then I wanted to return to Bali and my Balinese family for a special ceremony that was planned at the temple in Peliatan.  After a few months in Bali, possibly move on to a WorkAway in India, Kenya, or Tanzania and then consider a return to Poland.  A mere six weeks after I arrived in Poland, the world stopped turning.

As the pandemic progressed,  information from the State Department in the USA, encouraged American citizens abroad to return home.  Having a job and a flat, I chose to stay in Warsaw.  A choice in no way I regret and am thankful for.  Henry Rollins once said, “a great way to learn about your country is to leave it.”   Looking at my country, it seemed a bit chaotic.  Since this is somewhat of a gratitude post, I’m not going to address that here.   Other than working remotely, my life in Warsaw was copacetic.  Although, it was becoming obvious that “two weeks to flatten the curve” wasn’t happening.

Today, I started a one-on-one English lesson with a new student.  She asked me to “tell her my story”.  I’m sure she had no idea what she was getting herself into.  I finally ended my story explaining that because of the pandemic, I am still in Poland and have agreed to another school year and I have residency until 2024.  I guess she is a glutton for punishment, she then asked me to tell her my feelings about Warsaw and life in Poland.  Wait a minute, I’m supposed to be the teacher here, but her question made me think.  I didn’t need to think about how I felt about life in Poland, but it made me realize how much I came to appreciate Poland because of or maybe despite the pandemic.  Without further ado, reasons I am grateful for the pandemic.

Having visited Warsaw once before in 2014, I knew it would be a great home base for travel throughout Europe.  I pictured weekends in Paris, visiting family and friends in Germany, seeing Erwin in Norway, heading off to Finland or Sweden to see the Northern Lights, and picking up some new stamps in my passport along the way.  Of course, those plans were shattered when the pandemic hit, and Poland closed its borders.  I had a choice to sit at home or go out and explore my city. Although many things were closed, I started walking around my neighborhood.

This led to the discovery of remnants of the Mur Ghetto or Ghetto Wall.  The memorials show the outline of the former ghetto which in 1940 had a total length of about 18km.  There is a line on the sidewalk or street reading “mur getta”.  I learned that if you can read the words straight on, you are outside the ghetto and if they appear upside down, you are inside the ghetto.  Finding these memorials, I became curious as to what I didn’t know about Poland and WWII.  As I researched, I discovered more and more places I wanted to visit not only in Warsaw but all of Poland.

Not usually being one for historical fiction,  I was suddenly drawn to novels about Poland and WWII.  With the pandemic in full swing, I had plenty of time to up my reading habit.   Books like, “The Lilac Girls”, “The Zookeeper’s Wife”, “The Rabbit Girls”, and “The Book of Lost Names” piqued my interest in other places in Warsaw and other cities across Poland.

Although I love zoos and often visit them, after reading “The Zookeeper’s Wife” and learning how Jan and Antonina Zabinski began smuggling Jews and hiding them in empty cages and even in their villa, I knew my visit to the Warsaw Zoo would have me see it in a different light.  “The Lilac Girls” introduced me to Lublin, Poland, and the State Museum at Majdanek.

I had never heard of the Majdanek Concentration Camp and Lublin was only just over 2 hours by train from Warsaw.  It was an easy day trip and one spring day I caught the train and because of a book, I visited a place I may never have known about.

Walking my neighborhood, I found out I was a couple of blocks away from the Warsaw Uprising Museum.  The Warsaw Uprising broke out on Tuesday, August 1, 1944, at 17:00 PM.  The interactive museum is difficult to take in during just one visit.  Also near me is the Polin Museum.  The Museum is a modern institution of culture – “it is a historical museum which presents the 1000 years of Jewish life in the Polish lands.” Again, too much to wrap your head around during just one visit.  I live in the Wola District of Warsaw.

As I walked around my neighborhood, I noticed more and more markers on the street, signs on walls of buildings, and free-standing monuments.  With so much history of Jewish Poland right in my neighborhood, I also spent time wandering around the Jewish Cemetery which is just a few tram stops from my house.

The city had me intrigued and I started t look for unique things to do and see.  That’s how I discovered the Neon Museum and the Pinball Museum.  Places I probably wouldn’t have discovered were it not for the pandemic situation.  I also visited the Vodka Museum and the Stacja Muzeum (Train Museum).  While visiting the Stacja Muzeum, I learned of a narrow-gauge rail museum in a nearby city.  As restrictions around the country began to be eased, I started taking short day trips from Warsaw.  One was to the city of Sochaczew to the Narrow-Gauge Railway Museum which also offered a short train ride to the Kampinos Forest and a cookout.  I didn’t know Poland had lavender fields and one day found myself on a train to the city of Żyrardów.  From there I took an Uber to a Lawenda pod Skowronkami and came home with bouquets of fresh-picked lavender.  In Warsaw I was enjoying the many parks, wandering around Old Town, and life near the Vistula River.

As summer was ending, I decided to take more than just day trips.  My first adventure took me to the city of Kętrzyn which was the city nearest to Gierłoż.  What caught my interest in Gierłoż?  By this time I had been in Poland for over 6 months, I was hungry for more and more information especially related to WWII.  As I was scrolling Facebook one day, I came across information about Hitler’s “Wolf’s Lair” or “Wilczy Szaniec”.  Hitler’s abandoned eastern front military headquarters during WWII and site of an assassination attempt is an eerie reminder of the atrocities of the Nazi regime.  Located in Gierłoż forest, I discovered I could stay on the grounds in a renovated WWII bunker and explore the grounds.  I spent a day and a half wandering the grounds where Hitler spent more than 800 days during the war.

Come October, I decided to spend a few days at the Polish seaside on the Baltic Sea.  I visited the tri-cities of Gdansk, Sopot, and Gdynia with a side trip by train to Hel Peninsula which is a 35-kilometer-long sand bar peninsula separating the Bay of Puck from the Baltic Sea.  At the end of the Peninsula is the town of Hel.  From Hel, I took a ferry back to Gdynia.  The tri-cities are connected to each other by an intercity train which makes going back and forth quite simple.  While in Gdansk I went to Westerplatte which was the site of the first clash between Poland and Germany thus the beginning of WWII.  In Sopot, I discovered the longest wooden pier in Europe and the famous “crooked house”.  Because of the pandemic, I was working remotely so it was great being able to travel and work at the same time.

The end of November brought thoughts of Christmas as Warsaw started to light up for the holidays.  I took a late afternoon trip to Wilanów and the Garden of Lights.  Wilanów is home to the Wilanów Palace often called the Polish Versailles and was the second home to various kings.  I toured the Palace and by the time I finished the gardens were lit with thousands of lights and many displays.  Old Town in Warsaw was brightly decorated and a great place to stroll while sipping a warm cup of grzane wino or mulled wine.

As December rolled in I decided to spend Christmas with friends, and we headed to the Tatra Mountains and the city of Zakopane.  It was perfect as we were hiking the mountain on Christmas morning and light snow began falling.  Christmas evening I took a sleigh ride around the city and to the base of the mountains at nightfall in that lightly falling snow.  It was magical.

After Christmas, the pandemic restrictions tightened up a bit.  Between that and the cold weather, I spent the first 3 months of the year mostly working and enjoying my city.  As soon as the weather broke and restrictions were lifted, I was ready to see more of this country I was now calling home.  Through my English classes and one of our lessons, I learned that many people in Poland make a Pilgrimage to the city of Częstochowa.  The city is known for the famous Pauline Monastery of Jasna Góra, which is the home of the Black Madonna painting, a shrine to the Virgin Mary.  Every year, millions of pilgrims from all over the world come to Częstochowa to see it.

 

I decided to pay a visit to Częstochowa and see the Black Madonna over Easter weekend.  Probably not one of my brightest decisions being there were still some restrictions and Poland being a very religious country, most everything was closed the entire weekend.  No matter, I made the best of it by walking around the Old Town which had some amazing sculptures and eating kebabs, pizza, and McDonald’s as those were about the only restaurants open.  I also visited the Jasna Góra twice.  The Black Madonna is only available for viewing during certain hours, but I did manage to get in to see it.  I was also able to be there for a part of Good Friday services.  The other thing about Częstochowa was the beautiful building murals. My main goal was to see the Black Madonna at the Jasna Góra and I accomplished that task.

The first weekend in June I headed for Kraków.  Kraków is home to the company I work for here in Poland, English Wizards.   I had a checklist of things I wanted to accomplish while in town.  I wanted to meet up with the people who had hired me (I was in China when I applied and everything was done by Skype), hang out in the Old Town, wander the streets of the Jewish Quarter, visit Auschwitz, see Wawel Castle, and go to the Wieliczka Salt Mine.  A lot to pack into a long weekend, but I’m happy to report that all items got ticked.  I spent the first evening bar hopping in the Kazimierz District with my fellow wizards and eating late night/early morning zapiekanki (Polish Pizza) at the Okrąglak.  My hotel was in Old Town, so I had plenty of opportunities to wander the streets and eat and drink at the cafes.  Making a visit to Auschwitz is an experience I will never forget.  The Wieliczka Salt Mine was fascinating and walking around the Jewish Quarter in the Kazimierz district was very educational.  I ended my long weekend with a BBQ at the English Wizard headquarters and got to meet many of my co-workers.  Three hours by train and I was back in Warsaw.  June flew by and before I knew it, it was time for my first trip out of Poland in 16 months.  I was off to spend the summer in Bulgaria at Z-Camp, a youth sports and language camp on the Black Sea.

 

 

 

 

 

 

How can I be thankful for a global pandemic?  I’m grateful for the opportunities it forced me to take.  Don’t get me wrong, it’s heart-wrenching when I think about friends and family who have suffered and even died due to the pandemic.  The divisions it has caused between friends and family are sad.  Yes, the big picture of the last nearly 2 years is often bleak, jobs and businesses were lost.  I am one of the fortunate ones who was able to work more because of the situation.  I also decided to take advantage of the city and country where I chose to stay during this crisis.  I know I saw more of Warsaw and Poland than I would have if the world hadn’t stopped turning and there is a good chance I wouldn’t even be in Poland right now.  I am grateful that my eyes have been opened to a beautiful country that I knew so little about.  I am more understanding of their horrific history, appreciative of their culture and traditions, grateful to my students who I now call friends, and in awe of the beautiful country, I am currently calling home.  I challenge everyone during this season of Thanksgiving to look back and find something to be grateful for.

Thank you, Poland for making me feel like one of your own.

Credit for feature photo to Tomeyk_Krakow

What’s Gogh-ing On?

What’s Gogh-ing On?

Suffering from severe depression and poverty which led to his suicide at age 37, Vincent Willem van Gogh (1853 – 1890) posthumously became one of the most famous and influential figures in art history.  A Dutch post-impressionist painter, he created more than 2000 works in the last decade of his life, most of which date during his last two years.

Living in Paris in 2014/15, I took a day trip to the town of Auvers-sur-Oise where Van Gogh spent the last days of his life (May-July 1890).  On July 27th, although there were no witnesses it is believed he shot himself in the chest.  He died 30 hours later, on July 29th with his brother Theo by his side as he uttered his last words, “the sadness will last forever”.  Theo died the following January and was buried in Utrecht, Netherlands.  In 1914 his widow had his body exhumed and moved to Auvers-sur-Oise to be re-buried beside his brother.

While in Auvers, I visited the Musee de l’Absinthe and had a taste of the “green fairy”, the church from the painting Church at Auvers-sur-Oise, the home of Dr. Paul Gachet, and the graves of Theo and Vincent at the cemetery in Auvers.  I also visited Auberge Ravoux where on the upper floor you can view the room where Vincent Van Gogh died.  It has been restored to its original.

I have always been a fan of Van Gogh and especially The Starry Night which was painted during his stay in the St. Paul Asylum in Saint Remy.  So, when I saw there was going to be a Van Gogh Exhibition during the time I was going to be in Paris in May 2019, I immediately checked with my fellow travelers and bought tickets.  It was called Van Gogh: Starry Night and Dreamed Japan: Images of the Floating World and I was hooked.

I honestly didn’t know what to expect from the exhibition.  It was housed at Atelier des Lumieres (light workshop), a 19th century restored foundry, in the 11th arrondissement, with much of its industrial architecture, including metal structures, a cistern, a basin, and a high brick chimney, left intact.  Making use of 140 video projectors and 50 speakers, I was blown away, no pun intended.  After sitting through the show twice, I commented to my cousins that it was probably the most amazing exhibition I have ever seen.  The show consisted of 3 parts.  The first created by filmmaker Thomas Vanz was a short cosmic display depicting the birth of the universe accompanied by dreamlike music called Verse.

This was followed by Dreamed Japan: Images of a Floating World by Danny Rose Studio. Van Gogh was an avid collector of Japanese prints and they seemed to become an inspiration for some of his work.  Following these two shorts was Starry Night, the 35-minute main feature. More than anything, I think what made this so outstanding for me was the playlist.  It featured an eclectic mix which included Kozmic Blues by Janis Joplin, O Mio Bambino, Vivaldi’s Violin Concerto #2, Generique by Miles Davis, Mozart Recomposed during the Starry Night sequence, Please Don’t Let Me Be Misunderstood by Nina Simone, and Brahms Concerto #2 in B Flat, to name a few.  The space, the music, the video….perfect.  I literally felt like I was in the paintings.  I told everyone I knew that was going to Paris that it was a “must-see” and at 14 euro ($16) a ticket a great value.

Recently, when I started seeing Van Gogh experiences advertised in cities across the globe,  I encouraged everyone to take the opportunity to see it.  One thing that shocked me, however, was the ticket prices in the USA, regardless, I still insisted it was a must-see.  When my roommate came home one night last week and asked if I saw that a Van Gogh Experience was opening in Warsaw on Friday, I went online that evening and bought a ticket (55 pln or $14) for opening day.  Friday arrived and I was excited to be headed to experience Van Gogh again.  I had one of the first ticket timeslots for the show.

The first thing I noticed upon entry was a large area, with high ceilings and some large screens placed throughout and hanging from the ceiling.  A massive space with some stools randomly scattered about.  Seeing photos and videos from various friends in the states who had seen the show, the spaces were very similar.   I immediately made comparisons to Paris, which while being a large space, had felt more intimate.  Okay, I know I am obsessed with Paris, it has my heart and everything there is perfect.  Well, if you know me, you know what I mean.  So maybe, just maybe,  I am being a bit partial.

So I cleared my thoughts, found a seat ( there were fewer than 20 people in the room), and got ready to be immersed.  The images were amazing although I felt like I was watching versus being one with them.  The music was, meh.  It just didn’t move me or draw me to the stories in the paintings.   The show lasted 30 minutes and I didn’t hear Don’t Let Me Be Misunderstood, which was one of my favorites from the Paris show. Did I miss it?  I wanted to sit through it again to see if I was just being a Paris snob.  In all honesty, after two viewings, I just didn’t think it was as good.  Underwhelmed (is that a word), I took advantage of the beautiful weather and walked a bit before catching a bus to Old Town.  I say underwhelmed because I wasn’t disappointed.  It was, after all, a beautiful display of many of Van Gogh’s life works.  I still encourage everyone to take advantage of the opportunity if you can.  What I am disappointed in is what they are charging for tickets in the USA, but that’s all I’m going to say about that subject.

When I got home that evening, I found my photos/videos from The Starry Night in Paris.  No, I wasn’t being a Paris snob, the show was better.  So, what’s Gogh-ing on?  Time to GTS (Google That Shit).  Much to my surprise, I made a startling discovery.  There are currently four different, yes, you read that correctly, four different shows touring the world, and none are organized by Atelier des Lumieres which was responsible for Van Gogh: The Starry Night in Paris.  Probably why I didn’t hear Nina Simone at the Warsaw Exhibition which was called Van Gogh Multi-Sensory Exhibition.  The one currently in Cleveland Ohio is Immersive Van Gogh, I believe.  Other shows are called; Van Gogh Alive, Van Gogh: The Immersive Experience, and Beyond Van Gogh: An Immersive Experience.  Confusing, right?  It is no wonder I have heard conflicting stories about this one being different from that one, better than, etc.,  depending on what city one saw it.

What does all this mean?  It means the show I saw in Paris was one of the best exhibitions I have seen.  I was underwhelmed in Warsaw but still enjoyed it.  I am disappointed in ticket prices in the USA because no matter which show comes around your area, I think it is well worth seeing.  I think it would be great for kids to see, but with the cost of tickets, I’m sure there are many who can’t afford to take a family of four.

I think the man who said, “What am I in the eyes of most people — a nonentity, an eccentric, or an unpleasant person — somebody who has no position in society and will never have; in short, the lowest of the low.  All right, then — even if that were absolutely true, then I should one day like to show by my work what such an eccentric, such a nobody, has in his heart. That is my ambition, based less on resentment than on love in spite of everything, based more on a feeling of serenity than on passion. Though I am often in the depths of misery, there is still calmness, pure harmony and music inside me. I see paintings or drawings in the poorest cottages, in the dirtiest corners.  And my mind is driven towards these things with an irresistible momentum.”, would be pleased that the world is seeing what he had in his heart.

If anyone is interested, the 3 parts of the Starry Night show in Paris listed above are links to the YouTube videos of the 2019 Exhibition.  It is also this exhibition that was featured in an episode of Netflix’s “Emily in Paris”.  I have also linked the Spotify soundtrack from the Paris exhibition and I recommend the movie “At Eternity’s Gate”